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1. #Diskwarrior 4.2 manual how to#
2. #Diskwarrior 4.2 manual mp4#
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#Diskwarrior 4.2 manual pro#

#Diskwarrior 4.2 manual how to#

spencer rand on How to combine two styles in text layer by expression? Adobe After Effects Expressions.Mads Nybo jørgensen on Transfer multicam clips between FCPX and Premiere? Adobe Premiere Pro.Filip Vandueren on Particles for a George Jetson tailpipee like thing? Adobe After Effects.POST-PRODUCTION WITHOUT THE USUAL INSANITY ™Ĭreative COW contributing editor and a forum host of the Business & Marketing and Apple Final Cut Pro forums. Load a clip into Streamclip, choose File>Export to Quicktime, then change the Compression drop-down to ProRes 422.ĭon’t miss my new Creative Cow Podcast: Bringing “The Whale” to the Big Screen: Sure there is… You evidently didn’t take the time to learn Streamclip or to read the manual. So I put one of the files into mpeg streamclip, and I discover that there is no Apple ProRes 422 option.” “Someone on another forum suggested that the solution would be to convert the files into Apple ProRes 422, and to change the audio settings to 48 khz.

#Diskwarrior 4.2 manual mp4#

Editing MP4 and h.264 footage simply didn’t make the cut when the developers ceased updating FCP and stared work on FCPX. Of course, the problem is that FCP can’t properly decode and encode MP4 footage, which has little or nothing to do with system overhead or hard drive throughput. ” I moved the footage over to a newer, faster external harddrive (lacie 500gb w/ Firewire 800). So, tl dr if anyone knows why I wouldn’t have the Apple ProRes 422 codec installed on my computer even though I have FCP, that would be great.Īlso, if anyone knows the solution to my main problem (choppy footage from the 5D) that would be equally helpful. Which is great, except I have Final Cut Pro installed on my computer already. So I put one of the files into mpeg streamclip, and I discover that there is no Apple ProRes 422 option.Īfter googling some more, I discovered that the ProRes codec only comes with FCP. Someone on another forum suggested that the solution would be to convert the files into Apple ProRes 422, and to change the audio settings to 48 khz.

I did some more research, and it seems like this is a common issue with footage from the 5D. I moved the footage over to a newer, faster external harddrive (lacie 500gb w/ Firewire 800).

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Now that I have some free time, I’ve been trying to figure out the solution to this problem. However, I had a deadline, and I just worked with what I had.

Unfortunately, the footage is incredibly choppy and difficult to edit. I shot my footage on a Canon 5D, and I imported it directly into FCP.

I’ve been having an issue with FCP 6, and I’ve finally reached the limits of my googling abilites.